Latin-American Historical Almanac
TABLE OF CONTENTS
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Schelchkov A.A. |
Interview with Pablo Ramos Sanchez.. |
7 |
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Tchernikh A. |
Diego de Valera and his Treatise on Coats of Arms (15th century)....…..…... |
21 |
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Shubin A.V. |
POUM: a long story and a bright moment……..…………………………….... |
56 |
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Cuba: historia, cultura, política |
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Ivkina L.A. |
The birth of constitutional thinking in Cuba. The first constitutional projects….……………………….……….. |
92 |
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Conde Rodríguez A. |
Pedagogical thought of liberation in the preludes of the Cuban Revolution (1930-1958)………………………… |
121 |
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The Cuban Revolution. A triumph of heroic creation over revolutionary myths……………………….……….. |
147 |
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Ortiz Guilián P. |
The radicalization process of the Cuban Revolution 1959-1961…………... |
166 |
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Boreyko A. V. |
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185 |
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Sánchez Caballero O. |
The photographic discourse of the funds of the Institute of History of Cuba. An analysis for new uses…............ |
201 |
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Palomo Molina Y., Herrera Izquierdo K., Boffill del Pino L. |
The Cuban Revolution through cinema. Between a real world and a possible world …………………………… ………………………………………. |
225 |
Table of contents
- A. Schelchkov - Interview with Pablo Ramos Sánchez - 7-20
- A. Tchernikh - Diego de Valera and his Treatise on Coats of Arms (15th century) - 21-55
- A. Shubin - POUM: a long story and a bright moment - 56-91
- L. Ivkina - The birth of constitutional thinking in Cuba. The first constitutional projects - 92-120
- A. Conde Rodríguez - Pedagogical thought of liberation in the preludes of the Cuban Revolution (1930-1958) - 121-146
- C. Massón Sena - Кубинская революция. Триумф героического творчества над революционными мифами - 147-165
- P. Ortiz Guilián - The radicalization process of the Cuban Revolution 1959-1961 - 166-184
- A. Boreyko - The special period in Cuban history (1991-2000) - 185-200
- O. Sánchez Caballero - The photographic discourse of the funds of the Institute of History of Cuba. An analysis for new uses - 201-224
- L. Boffill del Pino, Y. Palomo Molina, K. Herrera Izquierdo - The Cuban Revolution through cinema. Between a real world and a possible world - 225-242